2024 may 2
Musikfilmen. Vi har vår egen sång
I protest mot Eurovison song contest i Stockholom 1975 arrangerades Alternativfestivalen. Vi har vår egen sång Àr dokumentÀrfilmen om denna festival. Filmen bjuder på klassiska band och låtar från den svenska och europeiska alternativa musikrörelsen. Exempelvis Doing the omoralsik schlagerfestival framförda av Nationalteatern under namnet Sillstryparen från Göteborg.
Introduktion av Fredrik Egefur från Arbetarrörelsens arkiv.
2024 february 2
ð±ððððð & ððððððð ððððð ðððððððð:
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2023 march 4
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2024 march 21
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Installation: ê±áŽÊᎠáŽQáŽáŽáŽáŽ
2024 march 14
The TRANSHUMANIST CEPHALOPOD EVOLUTON training begins with a presentation of her film "Your Urge To Breathe Is A Lie (2019, 25' HD)" Simun's film follows scientists, dancers, engineers, synchronized swimmers and the artist-as-freediver in their attempts to reclaim transhumanism from the singularists and evolve the human species based on the model organism of the cephalopod (octopus, squid, cuttlefish, nautilus).
Following the film, Simun will guide us through a 60-minute workshop, developing our Tactile Intelligence - aka seeing through the skin ; developing our Shapeshifting Ability - through a becoming hyper-aware of our hyper-local environment, we will seek transformation of our form and social position in order to increase our resiliency; and an investigation of Distributed Intelligence - the possibility of multiple humans+ inhabiting a single organism beyond negotiation, beyond collaboration: toward shared intention.
"I've studied animal behavior for 20 years, and our 90-minute workshop was the first to provide the experience of being another animal, as well as identifying the biases I bring with my human-centered viewpoint. It was truly transformative. - Douglas Blackiston (Principal Investigator at Allen Discover Center @ Tufts Unversity and Wyss Institute @ Harvard University)
On exhibition: a video excerpt from her latest work - Contact Zone (Level 1)
Contact Zone (Level 1) is an infinitely iterating computer-generated animation populated by imaged creatures generated by computer models, conjured by text-to-image AI algorithms, and captured by automated camera traps in the forest. It is accompanied by a seven-chapter soundtrack that uses sonic strategies of repetition, interruption, and release in weaving together ecological and mythological histories with philosophies of seeing, knowing, and controlling. The animation unfolds in endless permutations as the algorithm assembles the narrative order; field recordings; location, time and weather; creature actions; and camera views in ever-new variations, enabling fresh meanings to emerge.
2024 february 3
Death And Vanilla to perform a new live soundtrack for the film âWhistle And Iâll Come To Youâ, a 1968 made-for-TV ghost story.
Malmö's Death and Vanilla use vintage musical equipment such as vibraphone, organ, mellotron, tremolo guitar and Moog, to emulate the sounds of 60s/70s soundtracks, library music, German Krautrock, French Ye-ye pop and 60s psych. In 2012, they performed and recorded a live score for Carl Theodor Dreyer's 1932 classic film VAMPYR at Lunds Fantastisk Filmfestival. And in 2015, they performed and recorded a live soundtrack for Roman Polanski's 1976 film THE TENANT at the Cinemascore Cinema & Music Festival in Castellón, Spain. Both soundtracks have vinyl releases from London's Fire Records.
WHISTLE AND I'LL COME TO YOU (1968) While on vacation and exploring a Knights Templar cemetery in a remote coastal village in Norfolk, a university professor discovers an ancient whistle that awakens a horrific supernatural force.
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Celebrating
with local films by Carolina Sandvik, Peter Wiren, and Henrik Möller
2027 december 7
à rets sista MALMÃTXT visar en film, tÀnker pÃ¥ poesi och lyssnar pÃ¥ tvÃ¥ författare.
Lee Chang-dongs film Poetry (2010) följer Yang Mi-ja, en kvinna i 60-Ã¥rsÃ¥ldern som i kölvattnet av ett avskyvÀrt brott inom familjen och en demensdiagnos försöker skriva en dikt. Filmen Àr nÀstan unisont hyllad av en global kritikerkÃ¥r, och vann bland annat pris för bÀsta manus pÃ¥ filmfestivalen i Cannes. Men vad har filmen egentligen att sÀga om poesi, och om poesins möjlighet att ge röst till de som inte sjÀlva kan tala? Det vill MALMÃTXT undersöka.
Filmvisningen följs av ett samtal med författarna Elisabeth Hjorth och Lars Gustaf Andersson, modererat av MALMÃTXT:s Samuel Teeland. BÃ¥da har ocksÃ¥ bjudit in att lÀsa egen text.
Evenemanget genomförs i samarbete med biografen Hypnos Theatre, och med stöd från Region Skåne, Svenska Akademien, Kulturrådet och Malmö stad
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2023 june 6
KerÀnen plays vivid and eruptive harsh noise. Live 2012 | Live 2022
Juho Toivonen (label Akti) ocean deep drones, hissy piano ragas, gauzy swells and intermittent field recordings.
Slogan Motto a newcomer in the Finnish experimental scene. The Helsinki-based artist performs repetitive and caustic electroacoustic music.
2023 january 19-20
Do Labirinto ("From the Labyrinth" in Portuguese) arose from the collective desire of a group of young audio&visual artists based in Portugal who, despite their own idiosyncrasies, share a similar sensibility and context.
The 2.5hr audiovisual showcase revels in the journey of inner transformations, trauma-induced landscapes and their rebirth produced by an inner gaze - producing reflections on grief, the dreamlike and the sacred, the longing for and embracing of remembrance.
THE TOWER HAS FALLEN (André Marques Chambel, sound piece, 15') A soundscape that fabricates a personal mythology surrounding a tower, a fall and an ascension.
VER MAIS ALÃM (Adriana Nogueira, docufiction, 15') / The organising of a trauma. The birth of an inner light. A look within.
INFERNO (Lvis, music video, 7') A man's journey to facing and embracing attributes of his life he once forced himself to ignore.
PENA (Mariana Sendim, experimental fiction, 41') A newly-born harpy discovers herself.
ESPERANÃA, E A SUA MORTE (cláudia simões, video performance, 20') Carrying a weight as a choice, a transformation, an affection; a ritual of devotion to Nature.
BLACK MOTHER (Bianca Dias, docufiction, 10') / Reminiscences of the past and present visit a woman after her surgery.
MY RAGE IS UNDERGROUND (Francisca Antunes, video performance, 13') / A performer draws a map whilst listening to the ambience of a city. She creates a new and imagined place where she reflects on trauma and its link to the city.
FAZER FITA (Miguel Almeida, video performance, 6') / The sounds of tape echo as a figure seeks to rid herself of it.
â ''O,,"_ (Sara Nogueira, experimental suspense, 7') Face your fears and stay a bit longer. Thereâs plenty of rooms to be afraid of. Donât let your anxieties take over you. Itâs fine, they donât mean to hurt you.
AFTERPARTY AFTER THE AFTERPARTY (Gabriel BÃŽtto, sound piece, 6') / Drunken wanderings soundscape, a supercut trip into a lonely crowded night. /
I CARRY DREAMS AS MEMORIES (Gabriel BÃŽtto & Miguel Almeida, soundpiece, 22') A parallel dive of two young souls inside their memories.
Fundraising and Awareness Events
SUPPORT
Beneficiary: Hypnos Theatre Crowdfunding Campaign
2024 march 16
Leave your every day. ðð»ð®ðªð¶ ð¡ð®ð®ðµ is a made-for-Hypnos, Artist-Produced Live Event featuring Audio-Visual performances by
Beneficiary: Civilians in Gaza: Doctors without borders, Amnesty International and Palestinagrupperna
2023 november 13
Films:
WHEN THINGS OCCUR (Oraib Toukan | 2016 | 28' | Eng subs)
FORAGERS (Jumana Manna | 2022 | 64' | Eng subs)
ððð£ðððððð âððððð âðð§ðŠð
Beneficiary: Dovzhenko Centre & Come Back Alive
2022 april-july
Films:
19/4 MAN WITH A MOVIE CAMERA (Dzigo Vertov, 1929)
21/4 IN SPRING (Mikhail Kaufman, 1929)
5/5 BRIEF ENCOUNTERS (Kira Muratova, 1967)
12/5 SHADOWS OF FORGOTTEN ANCESTORS (Sergei Parajanov, 1965)
19/5 IN SPRING (Mikhail Kaufman, 1929) featuring LIVE SOUNDTRACK by Roksana Smirnova (acoustic piano) and Misha Kalinin (electric guitar
26/5 Chornobyl Docu-Series (1974-1992)
9/6 HEAT SINGERS (Nadia Parfan, 2019)
16/6 VOLCANO (Roman Bondarchuk, 2018)
23/6 THE TRIBE (Myrolsav Slaboshpyskyi, 2014)
30/6 MY THOUGHTS ARE SILENT (Antonio Lukich, 2019)
Beneficiary: Emergency Support Initiative by Kyiv Biennial
7/7 UKRAINIAN VIDEO ART IN A TIME OF WAR (curated by Serge Klymko, the founder of the Emergency Support Initiative by Kyiv Biennial) & VIDEO ART by ArtZebs & 2D/3D Exhibition by Paul Jackson organized by Film i Malmö and WIFT, with cooperation from Ifö Center and Kyiv Biennial, with support from Region Skåne, and ABF