THE AMERICAN FRIEND

February 26, 2019

18:30

Wim Wenders, 1977 · English · English subtitles

Bruno Ganz Retrospective continues with TWO films this week...
:::::::::::::::::::::::THE AMERICAN FRIEND (1977):::::::::::::
:Reg. Wenders, tysk och egelska tal med engelska text):
::::::::::::::::::::::::::::::::TISDAG kl. 19:00:::::::::::::::::::::::::::::
???The American Friend ???
what IMDB says "Tom Ripley, who deals in forged art, suggests a picture framer he knows would make a good hit man."
MEH. MEN --->
:::::::::::::::::::::::what Todd Gaines says
- - > Wim Wenders knows how to direct the livin' fuck out of a flick. His fucktastic brilliance is beyond words. The combo of Wenders and cinematographer, Robby Müller, is motherfuck fuckerific! Wow! The American Friend might be the best looking picture I've ever seen. The color red is on fire. The camera knows just where to go. Wenders goes all sneaky snake and has directors such as Samuel Fuller and Nicholas Ray, act as baddies. There's non-stop tension at the subway, and on a train. There's a nice hint of neo-noir, with a bombastic musical score. I love the combo of German and English. Everyone speaks the language they're supposed to. The ending is satisfying, and I'm so glad I found this flick. < - -
CANT WAIT FOR THIS ❤
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